- The Requiem. Best intro ever. It is a huge letdown for me that Living Things don't have an intro song. - Chester's vocals during the last seconds of the solo of BITS - Mike's "MOTHERFUCKER" on WTCFM - Robot Boy's Synth solo - Mike's harmonies during the chorus of WFTE + the solo of WFTE - Every single thing in Blackout. - Mike's high-pitched vocals in the last part of The Catalyst. They are hardly recognisable, but they are there. I never knew Mike could do that high vocals. Least favorite things: - I think it could be better if Wretches and Kings's speech was over the instrumental of The Radiance (instead of Oppenheimer's) and if Wretches and Kings was before BITS. - Lack of screaming. I'm not asking for HT/Meteora's constant screaming, but if there was one more song with screaming, it wouldn't hurt.
- solo and final chorus of Burning in the Skies - Mike's verses in When They Come For Me - synths in Jornada Del Muerto - Chester's vocals in Waiting for The End - verses of Blackout - chorus of Wretches & Kings - Wisdom, Justice & Love - quiet verses of Iridescent - Rob's drum work in The Catalyst (expecially the ending) - and if I may, Rob's drum work in the live version of The Messenger. Least favorite? Robot Boy. It's a great song, I know that and I mean that, but it's difficult for me to concentrate while listening to it. It's just me.
All of Burning in The Skies, WTCFM, Robot Boy and JDM, Waiting For The End (best song LP have ever done.) and The Catalyst.
- Guitar solo in BITS - All of WTCFM - The fucking kick that bass has in W&K / the outro to W&K - The haunting intro to Iridescent - Fallout bleeding into The Catalyst - "Lift me up, let me go"