I think Sorry for Now is easily the most ambitious song on the album, and the drop is its creative peak. Chester's bridge is fun but it doesn't...
Maybe it's been completely overshadowed by the comeback, but I'm surprised there's not much talk about this honestly. I've been waiting for an...
Chester drives himself crazy thinking everything's about him, but "Heavy" really is. Just another dimension of his versatility. He sounds withered...
I know comparisons are clichéd and played out but I read somewhere that this sounds like if Faint was written for Living Things and I can't help...
This is top tier Linking Park. Which is something I wasn't sure was ever possible again without Chester's vocals. I get goosebumps from the...
[IMG] No other words right now.
You're talking about a band that wrote Victimized and Lies Greed Misery. Apart from A Thousand Suns, they haven't exactly been the most subtle...
Now I'm suffering all alone in my misery.
I listened once. The chorus is already circling in my head. Now I'm praying I have the strength to hold on for two more days to listen to the...
Not gonna lie, I had hoped Heavy is the Crown was gonna be a deeper song about the weight of performing in Chester's shadow. But this... this...
I feel like a broken record at this point: Chester's performance is great and the main hook is catchy. The rest is forgettable.
To be clear I also love Burning in the Skies on A Thousand Suns (although I was thinking today how insane it would've been to open the record...
It was just too mid-tempo, especially after the ominous Fallout/Roads Untraveled intro. It would be like if the band opened with Castle of Glass...
Mike said From Zero is so short because he wants listeners to have that urge to play it over and over again. I think The Emptiness Machine alone...
I feel like Talking to Myself is a song of extremes. The chorus riff is a fucking banger but the verses feel hollow and meandering. The lyrics are...
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