"The Hunting Party" Full Review - LPAssociation/AltWire

Tim · Jun 5, 2014

Drapebar said: ↑

Keys to the Kingdom

Ever wondered what Robocop would sound like if he got his cybernetic cock stuck in a waffle iron? You have? Good, because that's exactly what Chester sounds like in the opening to this robo-metal dick smasher! (copyright: Tim) Packed with a more fucked up structure than Quasimodo's spine, Keys to the Kingdom is the kind of song that spreads its legs and fucks YOU. In multiple positions. Right in the ass. Mike singing. Chorus. Mike rapping. What the fuck, a breakdown and Mike harmonizing until the end as the track finally blows its waffle battered salty load right in your face.

All for Nothing

Look the fuck out, guys. Mike is angry. Angry as fuck. I think, I don't know but he's rapping about people saying things that they've fucking said before and we all know how much that made Chester angry back when he wore his grandma's curtains as trousers. Page Hamilton makes the most Lying From You sounding song on the album sound slightly different by singing about not doing what you demand. Chester pipes up to shout "you say!" during Page's lines like Robin backing up Batman in a fight in the late 60's TV series. I kind of wish Linkin Park demanded some guitars from the cunt though just to make this song stand out a bit more.

Guilty All the Same

Hold the fuck on to your asses, ladies and gentlemen. It's time for the hard shit. Spread those cheeks as you listen to a bunch of guitars take you on a journey that you won't give a fuck about once you've heard the rest of the album. Guilty All the Same makes you feel like a passed out 68 year old man, lying in the corner of a dusty rock venue drunk to fuck whilst a bunch of frat boys piss all over your lifeless body and ruin your favourite Genesis on Tour '74 denim vest... whilst you're attending an Iron Maiden with special guests Spineshank show in 2014. Rakim is like the motherfucker who comes in to fuck up the guys pissing on you just so he can take a massive shit on you as Iron Maiden play a song from their 2003 album Dance of Death.

The Summoning

Want to hear what it sounds like having Joe Hahn stumble to his kitchen in the middle of the night to grab a burrito whilst the sound of Chester Bennignton scratching his balls repeatedly echoes from his home studio monitors? You have?! Then stay the fuck tuned for this interlude which will undoubtedly make you summon the skip button on future listens.

War

Imagine Johnny Rotten giving dome to James Hetfield in the back of a garage band's touring van as it does 96mph in the wrong lane on the highway whilst the Ramones' latest single plays on the radio. Just fucking imagine that. Now have Chester hanging upside down on the windshield, naked and caked out on meth and you're 10% closer to what the fuck is going on in War. A fast paced, punk rock song that sounds like it was recorded via kazoo whilst necking Jack Daniels, War is undoubtedly the album's most fucking unexpected track. It's fun, fast, hard and the ending can only be described as Chester suicide diving off the windshield onto an oncoming train whilst knocking out the conductor with his cock mid-jump.

Wastelands

The Hunting Party's same old shit, different day song. So standard it fucking hurts, but still. Chester's chorus is kinda catchy and Mike mean mugs up the fucking verses so much that for a second you might actually think you're having a fight on the school field with that fat guy who ate your sandwich that one time. Still, it's good The Hunting Party gets rid of this generic shit at the start of the album and the good thing about Wastelands is that War probably inspired you to go and take cocaine so you'll probably miss it anyway.

Until It's Gone

Ever come to the conclusion that you don't know what you've got until it's gone? No? Well fuck that! By the end of this song that's all you'll know. Repeatedly. Another standard Linkin Park track that's about as carnivorous as the fucking baby from the TV show Dinosaurs. But hey, that baby was fucking cool so let's not drop a shit on this song just yet. Some catchy verses make you stick around and if you last until the end you get to hear Chester nail home the point that you don't know what you've got until it's gone again whilst he's taking a piss on an electric fence.

Rebellion

System of a Down just drove a fucking cement truck into Mike's home studio, but that's not cement in the back, no, it's a fucking spinning hole of death with Daron Malakian fapping his guitar shaped cock so hard it's ejaculating dynamite and rock-mechs who also happen to be playing guitar. Rebellion doesn't give a fuck about you or your political stance, it cares about fisting your ass with a pneumatic drill made of Rob's broken drumsticks whilst Chester tickles your balls with a cheese-grater. Some awesome Mike vocals round up this pit anthem and the only gun you'll be facing by the end is your own, and I'm talking about the one in your pants. You too ladies.

Mark the Graves

Time to take this album up a notch. Mark the Graves is as experimental as the band's haircuts back in the early days. Ever felt like everything is going to fucking shit in your life and there's nothing you can do but embrace it? Well, Mark the Graves knows that fucking feel, bro. A complete contrast in sound propels this song into a fuck off intro of guitar before breaking down into an ambient reflectiveness where Chester shows some of his best vocals on the album. The song jumps between hard and soft more times than my cock browsing the "big dick" section on PornHub. The song builds and builds until Chester is screaming the chorus like a shark is giving him the most toothy blowjob in existence, all whilst Brad rips up a face melter so fucking loud you'll use the pieces of Chester's fragmented bellend as ear muffs. Easily an album highlight for fans of the band's more creative work and an ending that will probably make you mark your pants more than any graves, this is going to be a favourite for many.

Drawbar

Fan of Rage Against the Machine? Tough shit. There's fuck all here but a bunch of piano keys and the sound of a microwave defrosting a frozen pizza in the background. Acts more as down time after the epic close to Mark the Graves, so it does the job, but if you wanted to hear Tom Morello rip up a badass riff, keep fucking walking.

Final Masquerade

If you didn't fall asleep during Drawbar you're welcomed with the album's inevitable slow / soft track. Sweeping guitars and arguably Chester's best vocal performance on The Hunting Party, Final Masquerade is that fucking tune you'll listen to as you walk to the nearest cliff-edge in the rain after your partner broke up with you. This 80's-esque power ballad will be the song you'll see people subtweeting lyrics from in response to their failed relationships. I shit you not, this even features a bridge with a guitar breakdown, which then slows down to have only Chester singing, before kicking back in again. Just like every other song about loving someone who doesn't love you ever made.

A Line in the Sand

Ever wanted to be sitting in a post apocalyptic bathroom as Mike drops a deuce and sings to himself? You have?! Well then, A Line in the Sand is for you! The album's closer doesn't fuck around right off the bat. You know shit is getting serious, and I ain't talking about the loaf Mike just pitched in stall 2. The epic feeling is here as the vocals reflect on everything we've heard in the album so far. It's the end, and we're experiencing it. Guitars fucking crash through the ceiling and keep on falling. Chester starts to harmonise with Mike in the second verse before he finally overpowers him and transitions to the chorus. That was pretty fucking cool. After Mike's wordplay on the bridge we are back to more crunching guitars of death that keep on going. I lost fucking count of the amount of times they changed up the guitar parts here. Brad rips out another solo as Chester screams to a finish on the Metallica-esque pounding wall of noise and then fuck, we're fading back in to Mike in the bathroom. He sings us out of the track as we're left in the wake of the destruction they just fucking smashed into our faces, and believe me, despite Mike logging it up on the shitter, this album is anything but that. The shit is a metaphor for the one you'll have in your pants after hearing this song close the album, and how you'll want to go back and listen to The Hunting Party again. Solid fucking stuff.

Click to expand...

ROCKMECH

SeLDfC · Jun 5, 2014

Drapebar said: ↑

Keys to the Kingdom

Ever wondered what Robocop would sound like if he got his cybernetic cock stuck in a waffle iron? You have? Good, because that's exactly what Chester sounds like in the opening to this robo-metal dick smasher! (copyright: Tim) Packed with a more fucked up structure than Quasimodo's spine, Keys to the Kingdom is the kind of song that spreads its legs and fucks YOU. In multiple positions. Right in the ass. Mike singing. Chorus. Mike rapping. What the fuck, a breakdown and Mike harmonizing until the end as the track finally blows its waffle battered salty load right in your face.

All for Nothing

Look the fuck out, guys. Mike is angry. Angry as fuck. I think, I don't know but he's rapping about people saying things that they've fucking said before and we all know how much that made Chester angry back when he wore his grandma's curtains as trousers. Page Hamilton makes the most Lying From You sounding song on the album sound slightly different by singing about not doing what you demand. Chester pipes up to shout "you say!" during Page's lines like Robin backing up Batman in a fight in the late 60's TV series. I kind of wish Linkin Park demanded some guitars from the cunt though just to make this song stand out a bit more.

Guilty All the Same

Hold the fuck on to your asses, ladies and gentlemen. It's time for the hard shit. Spread those cheeks as you listen to a bunch of guitars take you on a journey that you won't give a fuck about once you've heard the rest of the album. Guilty All the Same makes you feel like a passed out 68 year old man, lying in the corner of a dusty rock venue drunk to fuck whilst a bunch of frat boys piss all over your lifeless body and ruin your favourite Genesis on Tour '74 denim vest... whilst you're attending an Iron Maiden with special guests Spineshank show in 2014. Rakim is like the motherfucker who comes in to fuck up the guys pissing on you just so he can take a massive shit on you as Iron Maiden play a song from their 2003 album Dance of Death.

The Summoning

Want to hear what it sounds like having Joe Hahn stumble to his kitchen in the middle of the night to grab a burrito whilst the sound of Chester Bennignton scratching his balls repeatedly echoes from his home studio monitors? You have?! Then stay the fuck tuned for this interlude which will undoubtedly make you summon the skip button on future listens.

War

Imagine Johnny Rotten giving dome to James Hetfield in the back of a garage band's touring van as it does 96mph in the wrong lane on the highway whilst the Ramones' latest single plays on the radio. Just fucking imagine that. Now have Chester hanging upside down on the windshield, naked and caked out on meth and you're 10% closer to what the fuck is going on in War. A fast paced, punk rock song that sounds like it was recorded via kazoo whilst necking Jack Daniels, War is undoubtedly the album's most fucking unexpected track. It's fun, fast, hard and the ending can only be described as Chester suicide diving off the windshield onto an oncoming train whilst knocking out the conductor with his cock mid-jump.

Wastelands

The Hunting Party's same old shit, different day song. So standard it fucking hurts, but still. Chester's chorus is kinda catchy and Mike mean mugs up the fucking verses so much that for a second you might actually think you're having a fight on the school field with that fat guy who ate your sandwich that one time. Still, it's good The Hunting Party gets rid of this generic shit at the start of the album and the good thing about Wastelands is that War probably inspired you to go and take cocaine so you'll probably miss it anyway.

Until It's Gone

Ever come to the conclusion that you don't know what you've got until it's gone? No? Well fuck that! By the end of this song that's all you'll know. Repeatedly. Another standard Linkin Park track that's about as carnivorous as the fucking baby from the TV show Dinosaurs. But hey, that baby was fucking cool so let's not drop a shit on this song just yet. Some catchy verses make you stick around and if you last until the end you get to hear Chester nail home the point that you don't know what you've got until it's gone again whilst he's taking a piss on an electric fence.

Rebellion

System of a Down just drove a fucking cement truck into Mike's home studio, but that's not cement in the back, no, it's a fucking spinning hole of death with Daron Malakian fapping his guitar shaped cock so hard it's ejaculating dynamite and rock-mechs who also happen to be playing guitar. Rebellion doesn't give a fuck about you or your political stance, it cares about fisting your ass with a pneumatic drill made of Rob's broken drumsticks whilst Chester tickles your balls with a cheese-grater. Some awesome Mike vocals round up this pit anthem and the only gun you'll be facing by the end is your own, and I'm talking about the one in your pants. You too ladies.

Mark the Graves

Time to take this album up a notch. Mark the Graves is as experimental as the band's haircuts back in the early days. Ever felt like everything is going to fucking shit in your life and there's nothing you can do but embrace it? Well, Mark the Graves knows that fucking feel, bro. A complete contrast in sound propels this song into a fuck off intro of guitar before breaking down into an ambient reflectiveness where Chester shows some of his best vocals on the album. The song jumps between hard and soft more times than my cock browsing the "big dick" section on PornHub. The song builds and builds until Chester is screaming the chorus like a shark is giving him the most toothy blowjob in existence, all whilst Brad rips up a face melter so fucking loud you'll use the pieces of Chester's fragmented bellend as ear muffs. Easily an album highlight for fans of the band's more creative work and an ending that will probably make you mark your pants more than any graves, this is going to be a favourite for many.

Drawbar

Fan of Rage Against the Machine? Tough shit. There's fuck all here but a bunch of piano keys and the sound of a microwave defrosting a frozen pizza in the background. Acts more as down time after the epic close to Mark the Graves, so it does the job, but if you wanted to hear Tom Morello rip up a badass riff, keep fucking walking.

Final Masquerade

If you didn't fall asleep during Drawbar you're welcomed with the album's inevitable slow / soft track. Sweeping guitars and arguably Chester's best vocal performance on The Hunting Party, Final Masquerade is that fucking tune you'll listen to as you walk to the nearest cliff-edge in the rain after your partner broke up with you. This 80's-esque power ballad will be the song you'll see people subtweeting lyrics from in response to their failed relationships. I shit you not, this even features a bridge with a guitar breakdown, which then slows down to have only Chester singing, before kicking back in again. Just like every other song about loving someone who doesn't love you ever made.

A Line in the Sand

Ever wanted to be sitting in a post apocalyptic bathroom as Mike drops a deuce and sings to himself? You have?! Well then, A Line in the Sand is for you! The album's closer doesn't fuck around right off the bat. You know shit is getting serious, and I ain't talking about the loaf Mike just pitched in stall 2. The epic feeling is here as the vocals reflect on everything we've heard in the album so far. It's the end, and we're experiencing it. Guitars fucking crash through the ceiling and keep on falling. Chester starts to harmonise with Mike in the second verse before he finally overpowers him and transitions to the chorus. That was pretty fucking cool. After Mike's wordplay on the bridge we are back to more crunching guitars of death that keep on going. I lost fucking count of the amount of times they changed up the guitar parts here. Brad rips out another solo as Chester screams to a finish on the Metallica-esque pounding wall of noise and then fuck, we're fading back in to Mike in the bathroom. He sings us out of the track as we're left in the wake of the destruction they just fucking smashed into our faces, and believe me, despite Mike logging it up on the shitter, this album is anything but that. The shit is a metaphor for the one you'll have in your pants after hearing this song close the album, and how you'll want to go back and listen to The Hunting Party again. Solid fucking stuff.

Click to expand...

How the fuck did you wrote down such an amazing review?
What kind of drugs did you do before writing this?

Nobody Can Shave Me Now · Jun 5, 2014

I never lol from reading anything, but that review was fan-fucking-tastic!

DisturbedOne98 · Jun 6, 2014

Drawbar really should have been a nod to RatM dammit. Otherwise, what's the point of having Morello there at all?

Delicious Dave · Jun 6, 2014

If Drawbar only has random plucking couldn't Brad have done it? They wasted Tom Morello. I wonder what he thought about doing it.

Wasabi GOD · Jun 6, 2014

Comstock said: ↑

If Drawbar only has random plucking couldn't Brad have done it? They wasted Tom Morello. I wonder what he thought about doing it.
Click to expand...

Yeah thats are my thoughts. Why do a feat when the feauture doesnt has to do something in the song.

JSigcha10 · Jun 6, 2014

LinkinParkFan1995 said: ↑

Yeah thats are my thoughts. Why do a feat when the feauture doesnt has to do something in the song.
Click to expand...

Yeah Drawbar was a major disappointment for me. Probably the biggest, next to MTG. Otherwise every thing from this album is fantastic.

ryyyylp · Jun 6, 2014

Comstock said: ↑

If Drawbar only has random plucking couldn't Brad have done it? They wasted Tom Morello. I wonder what he thought about doing it.
Click to expand...

I highly doubt they twisted his arm into doing something he didnt want to do.

NikoLpSoldier · Jun 6, 2014

"this even features a bridge with a guitar breakdown, which then slows down to have only Chester singing, before kicking back in again."
WAIT
Is this Wastelands or Final Masquerade?

Ben · Jun 6, 2014

I feel like everyone has set my expectations for Drawbar so low that there's no way I can be disappointed when I hear it.

thx gaiz!!1!

JMWLP · Jun 6, 2014

Reebellion said: ↑

<3

Greatest post I have ever read on the LPA. Well done, Joe, now do a podcast where you read this for us. Thanks.
Click to expand...

I second that notion!

RiderSSPU · Jun 6, 2014

Ben said: ↑

I feel like everyone has set my expectations for Drawbar so low that there's no way I can be disappointed when I hear it.

thx gaiz!!1!
Click to expand...

I hope this turns out this way for me too

Rippin on That · Jun 6, 2014

Didn't mind Drawbar at all really, definitely won't be skipping it when I listen to the album in full.

The Joesen One · Jun 6, 2014

Great review Joe

Garrett Dash Maichel · Jun 6, 2014

Its been said that Final Masquerade will be out on the 9th. So let the countdown begin.

Filip · Jun 6, 2014

Reebellion said: ↑

<3

Greatest post I have ever read on the LPA. Well done, Joe, now do a podcast where you read this for us. Thanks.
Click to expand...

Reebellion

minuteforce · Jun 6, 2014

Comstock said: ↑

If Drawbar only has random plucking couldn't Brad have done it?
Click to expand...

I don't know - could he have done it?

Most likely, the band just liked what they chose out of all the ideas that Morello contributed.

Emiltayeb · Jun 6, 2014

That Review Really Made Me laughing out loud!!

Really curious about All Thouse Tracks!

outcastboy · Jun 6, 2014

so both instrumentals are not that good? i always loved LP instrumentals (except tinfoil)

Derek · Jun 6, 2014

outcastboy said: ↑

so both instrumentals are not that good? i always loved LP instrumentals (except tinfoil)
Click to expand...

They're alright. There's actually a pretty nice Muse-like instrumental interlude right before GATS starts, but they're nothing like say...Session for instance.

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"The Hunting Party" Full Review - LPAssociation/AltWire

Tim My perversion power is accumulating LPA Super Member

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Delicious Dave Fighter of the Nightman

Wasabi GOD Praise Brad Delson, our Lord and Savior. LPA Addict

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JMWLP Member

RiderSSPU Leave a Trace LPA Super Member

Rippin on That Stared at the sun once

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Filip god break down the door LPA Contributor

minuteforce Danny's not here, Mrs. Torrance. LPA Team

Emiltayeb Well-Known Member

outcastboy Sure God's all powerful, but does he have lips?

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"The Hunting Party" Full Review - LPAssociation/AltWire

Tim My perversion power is accumulating LPA Super Member

SeLDfC Well-Known Member

Nobody Can Shave Me Now Formerly known as Ron Jeremy LPA VIP

DisturbedOne98 Well-Known Member

Delicious Dave Fighter of the Nightman

Wasabi GOD Praise Brad Delson, our Lord and Savior. LPA Addict

JSigcha10 Well-Known Member

ryyyylp Well-Known Member

NikoLpSoldier Daimonas

Ben Well-Known Member

JMWLP Member

RiderSSPU Leave a Trace LPA Super Member

Rippin on That Stared at the sun once

The Joesen One Fun-employed LPA Super Member

Garrett Dash Maichel Member

Filip god break down the door LPA Contributor

minuteforce Danny's not here, Mrs. Torrance. LPA Team

Emiltayeb Well-Known Member

outcastboy Sure God's all powerful, but does he have lips?

Derek LPAssociation.com Administrator LPA Administrator

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